medieval worlds • no. 9 • 2019 Monasteries and Sacred Landscapes & Byzantine Connections
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Verlag der Österreichischen Akademie der Wissenschaften Austrian Academy of Sciences Press
A-1011 Wien, Dr. Ignaz Seipel-Platz 2
Tel. +43-1-515 81/DW 3420, Fax +43-1-515 81/DW 3400 https://verlag.oeaw.ac.at, e-mail: verlag@oeaw.ac.at |
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DATUM, UNTERSCHRIFT / DATE, SIGNATURE
BANK AUSTRIA CREDITANSTALT, WIEN (IBAN AT04 1100 0006 2280 0100, BIC BKAUATWW), DEUTSCHE BANK MÜNCHEN (IBAN DE16 7007 0024 0238 8270 00, BIC DEUTDEDBMUC)
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medieval worlds • no. 9 • 2019 Monasteries and Sacred Landscapes & Byzantine Connections
ISSN 2412-3196 Online Edition ISBN 978-3-7001-8612-0 Online Edition
Francesca Dell’Acqua,
Clemens Gantner
Resenting Byzantine Iconoclasm. Its Early Reception in Italy through an Inscription from Corteolona ()
S. 160 - 186doi:10.1553/medievalworlds_no9_2019s160 Verlag der Österreichischen Akademie der Wissenschaften doi:10.1553/medievalworlds_no9_2019s160
Abstract: A source which can be dated to c.730 has never been discussed as evidence of an early reception of Byzantine iconoclasm in Italy. Now lost, this was an inscription put up to celebrate the foundation of a church in the newly established royal residence of the Lombard king Liutprand (712-744) in the countryside of Pavia along the river Olona, known as Corteolona. The inscription tells us that in the time in which ›Caesar Leo fell into the pit of schism from the summit of righteousness persuaded by a miserable scholar‹, Liutprand dedicated a church to Saint Anastasius the Persian. Therefore, the inscription makes use of the perceived heterodoxy of the Byzantine ruler – his attitude towards sacred images – as a chronological and negative cultural reference. In the inscription, Liutprand is cast as a champion of the Catholic Church as opposed to the heterodox Leo III (717-741). This claim naturally had wider political implications: Liutprand wanted to be seen as the supreme ruler on the Italian peninsula. The inscription from Corteolona, with others from Pavia and its surroundings, was transcribed in the late eighth century and thus transmitted to posterity. Having often escaped the attention of those interested in the echoes of Byzantine iconoclasm outside Byzantium, its text is an important document since it suggests that in early eighth-century Lombard Italy, at least in some circles, it was believed that Emperor Leo III was acting against orthodoxy, and that this could potentially lead to a schism within the Catholic Church. In the same years, the early 730s, the papacy too reacted to rumours of heterodoxy in the east, specifically in Constantinople: both a letter by Pope Gregory III (731-741) and the Roman Liber Pontificalis attest to this. Keywords: Byzantine iconoclasm, Liutprand (King of the Lombards), Corteolona, Saint Anastasius the Persian, Emperor Leo III, Paul the Deacon, Sylloge Laureshamensis, Lombard Italy, Papacy Published Online: 2019/06/28 10:44:08 Document Date: 2019/06/28 10:36:00 Object Identifier: 0xc1aa5572 0x003abd59 Rights: .
medieval worlds provides a forum for comparative, interdisciplinary and transcultural studies of the Middle Ages. Its aim is to overcome disciplinary boundaries, regional limits and national research traditions in Medieval Studies, to open up new spaces for discussion, and to help developing global perspectives. We focus on the period from c. 400 to 1500 CE but do not stick to rigid periodization.
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Verlag der Österreichischen Akademie der Wissenschaften Austrian Academy of Sciences Press
A-1011 Wien, Dr. Ignaz Seipel-Platz 2
Tel. +43-1-515 81/DW 3420, Fax +43-1-515 81/DW 3400 https://verlag.oeaw.ac.at, e-mail: verlag@oeaw.ac.at |